I’ve spent most of my career thinking about how we communicate.

Sometimes that work happens inside large organizations, sometimes through writing. More often, it sits somewhere between the two: shaping language, structure, and expression so an idea can become more resonant over time.

Before working independently, I worked at some of the world’s largest, most award-winning agencies who touted enviable client lists that you likely have in your home already.

Now, alongside writing The Returnist, I work with a small number of organizations and individuals on narrative, editorial direction, executive communications, and positioning.

I’m interested in work that develops recognition thoughtfully and deliberately - the kind people revisit because it feels clear, distinct, and fully inhabited.